Some of the notable performers I worked with in the 1960s and 1970s include:

Chubby Checker 

http://en.wikipedia.org/wiki/Chubby_Checker

Bobby Vinton (Gene played in the accompanment band at a grandstand show for fair)

http://en.wikipedia.org/wiki/Bobby_Vinton

The Drifters

http://en.wikipedia.org/wiki/The_Drifters

Del Shannon

http://en.wikipedia.org/wiki/Del_Shannon

The Coasters

http://en.wikipedia.org/wiki/The_Coasters

The Platters

http://en.wikipedia.org/wiki/The_Platters

Four Ladds

http://en.wikipedia.org/wiki/The_Four_Lads

Bobby Vee

http://en.wikipedia.org/wiki/Bobby_Vee

Gary U.S. Bonds

http://en.wikipedia.org/wiki/Gary_U.S._Bonds

Herman's Hermits

http://en.wikipedia.org/wiki/Herman's_Hermits

Dave Loggins

http://en.wikipedia.org/wiki/Dave_Loggins

Statler Brothers

http://en.wikipedia.org/wiki/The_Statler_Brothers

Tanya Tucker

http://en.wikipedia.org/wiki/Tanya_Tucker

Jerry Reed

http://en.wikipedia.org/wiki/Jerry_Reed

Question Mark and The Mysterians

http://en.wikipedia.org/wiki/Question_Mark_%26_the_Mysterians

The Robbs

http://en.wikipedia.org/wiki/The_Robbs 

The Mills Brothers

http://en.wikipedia.org/wiki/Mills_Brothers

American Breed

http://en.wikipedia.org/wiki/American_Breed

Unbelievable Uglies

http://en.wikipedia.org/wiki/Unbelievable_Uglies

In addition, I managed and booked hundreds of bands from the midwest.

ThanX for visiting!

Gene Michaels


​My wonderful wife, Pat, and I recently moved to Santa Barbara (aka Paradise) from Green Bay, Wisconsin. With this move, we have changed the focus of our lives. To reach our new goals in California, we need to have the respect of the persons needed for our success. I have found that experience and knowledge are valuable traits in the eyes of others. We need their trust and respect, so here's my story.

I've been in music and sales for over 50 years, starting as a keyboard student at the age of six and learning the art of sales and marketing as an assistant Milwaukee Journal paperboy in Menominee, Michigan. I was lucky to have a successful band leader, Arnie Smiltneck, as my father. I could feel his pride and approval as I learned and grew as a musician. Eventually I started sitting in with his variety band.  

At the age of eleven, I started my own band, The Drifters, We were able to get most of the gigs my father couldn't take because he was already booked. Since his band was one of the most popular in the area, The Drifters had a good supply of referrals from my dad, and most turned into a booking. Being a leader of a band, added to my sales and marketing experience while grooming me as a manager.  

My dad found that open band dates could be filled by renting a hall and taking on the role as promoter of a public dance. My mother was the greeter and cashier at the entrance of the hall. So I copied this for my band, and that was the beginning of my entertainment promoter role. Mom and dad helped me develop the role. They were intense with their support for me and my motivation grew bigger and bigger, along with the geographical area I was searching for gigs.

In the early 1960s I became part of The Vikings band. We became very successful in Upper Michigan and Wisconsin.  

I had the role of leader, marketer, and manager of the group, including transportation provider. I also filled the bass player position because we couldn’t find someone on electric bass. We were able to work professionally for five years. I retired from the group due to starting a family, and not being able to travel so much. I shifted my focus to being the promoter of dances using a variety of bands in the area. I opened a teen center in Escanaba, Michigan and promoted my first nationally known group, Sam the Sham and the Pharaohs. Their big hit, Wooly Bully, is an all-time classic.

http://en.wikipedia.org/wiki/Sam_the_Sham

​The opening act was The Riot Squad from Escanaba, Michigan. They were all 13 and 14 years old and were bubbling with potential. Soon after, they became my first band that I managed.
I was a manager and booking agent for over 20 years in the Midwest booking primarily, bands and comedians. I also owned a modest recording studio, part of a radio station, a bar and a nightclub. I also promoted more than 5,000 events including grandstands at fairs, festivals, concerts, dances, etc. When the discos became predominant in the 70s in the areas we served, the live entertainment business dropped to only 10% of what it had been for the prior 20 years. That forced me to look at other means of generating income, so I became a real estate broker. The functions are the same. I simply sold houses and less entertainment services. I also started a mobile DJ business where I used my entertainer and crowd management skills. I had three mobile units and also booked other mobile DJs, to fill the dates we were filled for.   Here are some articles about my early beginnings as a promoter before I shortened my name from Gene Michael Smiltneck to Gene Michaels:

http://rocknrollgraffiti.blogspot.com/2010/11/bands-unlimited-loomed-large.html

http://rocknrollgraffiti.blogspot.com/2008/02/riot-squad-had-enduring-career.html

http://rocknrollgraffiti.blogspot.com/2008/04/tongue-band-favored-u-p.html

Real estate and the mobile DJ business was good to me and actually allowed me to move to Santa Barbara where lodging costs about six times as much as Green Bay, Wisconsin. California offers a population that has a lot more appreciation of “live”, human performance. “Live” performing opportunities in California are many times more , than the Midwest. I plan to grow my entertainment interests, here in Paradise, using my extensive knowledge and experience in the business. Part of my plan, is to create our roster of talent, using existing performers who can already attract an audience, and by grooming soloists and groups to become attractive acts. This will include performing engagements, recording music to sell, television appearances, parts in movies and more. My wife Pat, will manage our surroundings and health, as well as accounting services for the biz. She is also very helpful as a critic and talent scout.